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01 |
In Search of a Heart |
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03:52 |
02 |
Second Nature |
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03:20 |
03 |
Turning Tide |
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04:39 |
04 |
Skellig |
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04:47 |
05 |
Stepping Stone |
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03:51 |
06 |
White Fool |
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04:39 |
07 |
Something to Believe In |
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04:46 |
08 |
Live and Learn |
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03:34 |
09 |
Many Roads |
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03:23 |
10 |
Sirius |
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05:34 |
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Country |
Ireland |
Original Release Date |
1987 |
Cat. Number |
68462R |
Spars |
DDD |
Sound |
Stereo |
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Sirius
Date of Release 1987
This 1988 release features Celtic-folk vocals and is attractively priced. Clannad is well known in Celtic music circles and this major label release also features a number of guest vocalists. - MusD
Bruce Hornsby - Piano, Accordion, Vocals
Steve Perry - Vocals
Robbie Blunt - Guitar, Guitar (Electric)
Mбire Brennan - Harp, Vocals
Ciaran Brennan - Bass, Guitar, Keyboards, Vocals
Paul Brennan - Flute, Guitar, Percussion, Vocals
Matt Budd - Assistant Engineer
Richie Cannata - Saxophone
Wells Christy - Synclavier
Paul Cobbold - Engineer
Mel Collins - Saxophone
Philip Donnelly - Guitar (Electric)
Noel Duggan - Guitar, Vocals
Pat Duggan - Guitar, Mandolin, Vocals
Tommy Keane - Uillean Pipes
Russ Kunkel - Percussion, Drums, Keyboards, Producer
Greg Ladanyi - Producer, Engineer, Mixing
Richard Niles - String Arrangements
Paul Ridout - Mastering
Doug Sax - Mastering
Duane Seykora - Assistant Engineer
J.D. Souther - Vocals
Paul Thomas - Assistant Engineer
Peter John Vettese - Keyboards
Kai Winding - Keyboards
Ron Lewter - Mastering
Shep Longsdale - Engineer
Walter Pho Mayr
CD RCA 6846-2-R
1987 CD RCA 75513
1987 CD Atlantic 68462R
CS RCA 6846-4-R
Something to Believe In
Composed By Ciaran Brennan
AMG REVIEW: Another of Clannad vocalist Maire Brennan's rare duets, "Something to Believe In," from the band's Sirius LP, found her paired with pianist Bruce Hornsby, appearing here without his Range. An overly obvious stab at commercial balladeering, Clannad forsook its haunting, traditional style, supplying instead its take on rock & roll. Featuring another outstanding, if differently intentioned, vocal performance from Brennan, as well as Hornsby's distinctive piano and a sinfully good guitar break from Philip Donnelly, the song finds the group slightly out of its element and delving into somewhat stagnant sonic territory. This song becomes important, however, precisely because it is so out of kilter with the rest of the band's oeuvre. Clannad reached into commercial territory and, while it wasn't rewarded with a hit, it certainly proved it could stretch its wings with ease and confidence. - Amy Hanson