John Zorn - Naked City
 (1989)
Avant Garde

Not In Collection

7*
CD  54:35
26 tracks
   01   Batman             02:02
   02   The Sicilian Clan             03:31
   03   You Will Be Shot             01:31
   04   Latin Quarter             04:09
   05   A Shot In The Dark             03:12
   06   Reanimator             01:41
   07   Snagglepuss             02:18
   08   I Want To Live             02:12
   09   Lonely Woman             02:41
   10   Igneous Ejaculation             00:23
   11   Blood Duster             00:16
   12   Hammerhead             00:11
   13   Demon Sanctuary             00:41
   14   Obeah Man             00:19
   15   Ujaku             00:29
   16   Fuck The Facts             00:14
   17   Speedball             00:40
   18   Chinatown             04:28
   19   Punk China Doll             03:05
   20   N.Y. Flat Top Box             00:44
   21   Saigon Pickup             04:50
   22   The James Bond Theme             03:05
   23   Den Of Sins             01:13
   24   Contempt             02:53
   25   Graveyard Shift             03:30
   26   Inside Straight             04:17
Personal Details
Details
Country USA
Spars DDD
Sound Stereo
Notes
John Zorn - Naked City

Member: KidAmadeus - 7/13/03

Recipe for Naked City Stew:

Take John Zorn, an avant-jazz saxophonist with a taste for improvisation, Yiddish music, spy films, and hardcore punk.

Add one jazz rock/experimentalist drummer named Joey Baron.

Blend one part bass virtuoso Fred Frith with one part guitar virtuoso Bill Frisell.

Stir in the creative keyboard playing of Wayne Horvitz.

Add a pinch of screams and gurgles, courtesy of Yamatsuka Eye.

Pour into a crust of Ornette Coleman, Henry Mancini, Ennio Morricone, with some nails, tacks, bullets, and evil thoughts.

Serve Cold.

What you wind up eating is a slice of avant acid noise jazz that is a wonderful meal, if you have the stomach for it. One minute this recording will have you nearly in tears for its sheer beauty, and literally seconds later you will cringe in fear at its sheer ferocity. Not only is this a group of extraordinary talent, but of extraordinary tightness...you have never heard a band stop on a dime, change styles, and triple tempo (!) like this group does.

There is some fantastic experimental jazz here, and some musical passages which rival (surpass?) Zappa's finest work. Naked City is beautiful, rich, challenging, and a recording of opposites...it is also brutal, harsh, and at times atonal. There is a dark beast that lurks here--it is the beastly side of this recording that scares the hell out of me. It could be Yamatsuka Eye's vocal presentation (no words, just screams of agony) or Zorn's screaming sax. But there is darkness here that is absolutely grotesque in it's beauty--or would that be beautiful in it's grotesqueness? It can sound like a nightmare, far surpassing Crimson, Balletto Di Bronzo, or Goblin in its darkness. It can be noisy darkness, but it only serves to heighten the intensity (or beauty) of whatever follows.

Very palatable indeed, if you have the taste for it.

As of this writing, there is a thread discussing the color of music. If music does have color, then Naked City is the cleanest of whites, the most beautiful of blues, the bloodiest of reds, and the darkest of blacks.


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