01	Woman You Need Love						04:48
	02	Nobody By My Side						04:52
	03	Come Home Baby						04:03
	04	Bedtime Blues						07:29
	05	Sunday Morning						01:02
	06	Try To Understand Me						02:37
	07	My Mind Can Ride Aside						02:28
	08	Wet						00:41
	09	Keep On Walking						04:57
	10	Forget It						05:30
	11	Lou's Blues						02:36
	12	People Change Your Mind						08:20

Bill Thorndycraft - vcl
Mick Clarke - lead gtr
Lou Martin - pno
Stuart MacDonald - bs
Bas Smith - drms

Biography by Bryan Thomas

The South London-based Killing Floor was originally a pop duo formed by lead guitarist Mick Clarke and vocalist/harmonica player Bill Thorndycraft. During the British blues boom of 1968-1969, they decided to form a "straight blues" group, recruiting prospective members from the classified pages of Melody Maker. Joining them were piano player Lou Martin, bassist Stuart MacDonald, and drummer Bazz Smith. Taking their name from Howlin' Wolf's "Killing Floor" (Wolf's cover was itself a version of Robert Johnson's "The Lemon Song"), the band played just one gig before ex-Radio Caroline DJ and ardent blues fanatic John Edward offered to manage them. Edward's connection with the Southern Music publishing company led to them signing with Southern's Spark Records imprint. The band was booked into Pye Recording Studios and with Edward aboard as "producer," they recorded their self-titled debut in 12 days' time. Most of the material was re-configured Chicago blues classics, except for a cover of Willie Dixon's "You Need Love." Killing Floor was released in the U.S. on new London subsidary Sire. Meanwhile, Edward booked the band gigs at Dunstable's California Ballroom, where they supported Ten Years After, Jethro Tull, Chicken Shack, and the Herd, to name a few. He also helped them get gigs at the Marquee, where they supported Yes and the Nice, and in 1969, they also toured with Texas bluesman Freddy King on two U.K. tours, which helped further their growing reputation. The band also appeared on all the contemporary British radio rock shows and toured solidly around the U.K. Lou Martin left after the release of Killing Floor and a handful of BBC Radio sessions and the group continued as a four-piece band. There were additional lineup changes in 1970-1971, at which point the group included ex-Juicy Lucy vocalist Ray Owen, drummer Rod D'Ath, and bassist Mick Hawksworth (ex-Fuzzy Duck/Andromeda/Ten Years Later). A second Killing Floor album, Out of Uranus, was released in 1971 on Penny Farthing Records, this time with executive producer/label honcho and the Troggs' manager Larry Page overseeing the sessions. By mid-1972, Killing Floor had disbanded. The various members became Toe Fat and began backing Cliff Bennett. Thorndycraft retired from music and Bazz Smith continued to play in jazz trios. McDonald formed a band called Peace (with ex-Free vocalist Paul Rodgers) before returning to his native Wales and playing in local bands. Former piano player Martin joined Rory Gallagher's band, toured with Chuck Berry, and later played with Blues 'N' Trouble. In 1974, guitarist Mick Clarke formed legendary pub rockers S.A.L.T. with "Little" Stevie Smith. In 1983, he had his own group, the Mick Clarke Band, who have released numerous LPs. Both Killing Floor albums have been reissued by Repertoire Records and See for Miles (the first album was retitled Rock the Blues).

Review by Thom Jurek

The sheer toughness -- and overall derivative -- nature of Killing Floor's debut album, issued six months after Led Zeppelin's debut in 1969 on the Spark label, is a wondrous contrast to the overly slick treatment American blues were given by British artists. All of these tunes, with the exception of one, are revamped versions of songs from the blues canon with different words. The lone "cover" in the set was written by Willie Dixon titled "Woman You Need Love," the tune Zep ripped for "Whole Lotta Love." Despite the fact that this set was issued before by Repertoire, the Akarma version is definitive in that it features the original cover artwork in a heavy cardboard gatefold sleeve, and killer sound. This is a raw, immediate, overdriven, psychedelic blues record that offers an interesting historical counterpoint to the immediate impact of Page and Plant and Co., but it also offers a great contrast to the recent 1990s versions of American groups trying to rock up the blues in like style: Jon Spencer Blues Explosion immediately comes to mind. They also provide a heavier, less reverent, and altogether heavier update of the Yardbirds rave-up sound


Review by Bryan Thomas

Listening to Killing Floor's debut LP today -- essentially rearranged Chicago blues songs given a bombastic heavy rock treatment -- you cannot dismiss the impact and influence of Led Zeppelin's self-titled debut, which was released six months earlier, in January 1969. The band's fledgling label, Spark, decided to them record "original" material during sessions in Pye Recording Studios, so vocalist Bill Thorndycraft reportedly spent several days thereafter in the studio's restroom, where he reluctantly rewrote all the group's lyrics. The only song that didn't end up as an "original" was their cover of Willie Dixon's "You Need Love" (retitled "Woman You Need Love"), the same song later purloined by Led Zeppelin for "Whole Lotta Love." The next track, "Nobody By My Side," repeats the same two-line riff from Zeppelin's "How Many More Times," which had been purloined by Zeppelin from Albert King's "The Hunter." "Come Home Baby," a honky tonk blues original, features pleasant ivory-tickling by Lou Martin (this song was later covered by bluesman Jimmy Witherspoon on Spoonful of Blues). The hymn-like "Sunday Morning" features Martin on harpsichord. Much of the rest of the album continues along in the same fashion. There are the occasional sloppy mistakes, both in the playing and the album's production, but, all in all, Killing Floor is a fine collection of B-level British blues-rock. The cover artwork -- a photo depicting jail cell doors with symbolic red ink splashed around like blood -- was changed for the original American release on Sire. Killing Floor was reissued on CD by See For Miles (retitled Rock the Blues) in 1992 and by Repertoire in 1993.