|
01 |
(Just Like) Starting Over |
|
|
|
03:57 |
02 |
Kiss Kiss Kiss |
|
|
|
02:41 |
03 |
Cleanup Time |
|
|
|
02:58 |
04 |
Give Me Something |
|
|
|
01:34 |
05 |
I'm Losing You |
|
|
|
03:57 |
06 |
I'm Moving On |
|
|
|
02:21 |
07 |
Beautiful Boy (Darling Boy) |
|
|
|
04:04 |
08 |
Watching the Wheels |
|
|
|
03:59 |
09 |
Yes, I'm Your Angel |
|
|
|
03:09 |
10 |
Woman |
|
|
|
03:32 |
11 |
Beautiful Boys |
|
|
|
02:55 |
12 |
Dear Yoko |
|
|
|
02:34 |
13 |
Every Man Has A Woman Who Loves Him |
|
|
|
04:02 |
14 |
Hard Times Are Over |
|
|
|
03:17 |
|
Studio |
Hit Factory |
Country |
USA |
Original Release Date |
1980 |
Cat. Number |
CDP 7 91425 2 |
Spars |
DDD |
Sound |
Stereo |
|
|
|
Date of Release Nov 17, 1980
AMG EXPERT REVIEW: The most distinctive thing about Double Fantasy, the last album John Lennon released during his lifetime, is the very thing that keeps it from being a graceful return to form from the singer/songwriter, returning to active duty after five years of self-imposed exile. As legend has it, Lennon spent those years in domestic bliss, being a husband, raising a baby, and, of course, baking bread. Double Fantasy was designed as a window into that bliss and, to that extent, he decided to make it a joint album with Yoko Ono, to illustrate how complete there union was. For her part, Ono decided to take a stab at pop and while these are relatively tuneful for her, they nevertheless disrupt the feel and flow of Lennon's material, which has a consistent tone and theme. He's surprisingly sentimental, not just when he's expressing love for his wife ("Dear Yoko," "Woman") and child ("Beautiful Boy (Darling Boy)"), but when he's coming to terms with his quiet years ("Watching the Years," "Cleanup Time") and his return to creative life. These are really nice tunes, and what's special about them is their niceness - it's a sweet acceptance of middle age, which, of course, makes his assassination all the sadder. For that alone, Double Fantasy is noteworthy, yet it's hard not to think that it's a bit of a missed opportunity - primarily because its themes would be stronger without the Ono songs, but also because the production is just a little bit too slick and constrained, sounding very much of its time. Ultimately, these complaints fall by the wayside because Lennon's best songs here cement the last part of his legend, capturing him at peace and in love. According to some reports, that perception was a bit of a fantasy, but sometimes the fantasy means more than the reality, and that's certainly the case here. - Stephen Thomas Erlewine
Lenono Music/Geffen M2G 2001
1980 The David Geffen Company
DOUBLE FANTASY
A Heart Play By John Lennon and Yoko Ono
PRODUCED BY
John Lennon, Yoko Ono and
Jack Douglas
ENGINEER
Lee DeCarlo
ASSISTANT ENGINEERS
Jon Smith
James Ball
Julie Last
GUITAR John Lennon
Earl Slick - (Courtesy of Columbia Records)
Hugh McCracken
BASS GUITAR
Tony Levin
KEYBOARDS
John Lennon
George Small
DRUMS
Andy Newmark
PERCUSSION
Arthur Jenkins Jr.
OBERHEIM
Ed Walsh
VOICE
John Lennon Yoko Ono
BACKGROND SINGERS
Cas Mijac aka: Michelle Simpson,
Cassandra Wooten, Cheryl Mason Jacks
Eric Troyer - (Courtesy of Chrysalis Records)
Benny Cummings Singers - Kings Temple Choir
(Courtesy of New Birth Records)
STEEL DRUM
Robert Greenridge on "Beautiful Boy"
HAMMER DULCIMER
Matthew Cunningham on "Watching the Wheels"
ENGLISH CONCERTINA
Randy Stein
HORN PLAYERS
Howard Johnson
Grant Hungerford
John Parran
Seldon Powell
George "Young" Opalisky
Roger Rosenberg
David Tofani
Ronald Tooley
MUSICAL ASSOCIATE
Tony Davilio - also
Horn Arrangement on
"Yes, I'm Your Angel"
PRODUCTION ASSISTANTS
Frederic Seaman
Toshiro Hamaya
RECORDED AND REMIXED AT
Hit Factory, New York
SINGLE REMIX AT
Record Plant, New York
ORIGINAL MASTERING AT
Sterling Sound, New York
ORIGINALLY MASTERED BY
George Marino
CDD PRE-MASTERING BY
WCI Record Group
ART DIRECTION
John Lennon Yoko Ono
ARTWORK
Christopher Whorf/Art Hotel
PHOTOGRAPHY
Kishin Shinoyama