01	My Heart Beat Like a Hammer						03:00
	02	Merry Go Round						04:11
	03	Long Grey Mare						02:17
	04	Hellhound on My Trail						02:01
	05	Shake Your Moneymaker						02:57
	06	Looking for Somebody						02:54
	07	No Place To Go						03:24
	08	My Baby's Good To Me						02:52
	09	I Loved another Woman						02:58
	10	Cold Black Night						03:18
	11	The World Keep On Turning						02:31
	12	Got To Move						03:19
	13	Stop Messin' Round						02:22
	14	I've Lost My Baby						04:18
	15	Rollin' Man						02:54
	16	Dust My Broom						02:54
	17	Love That Burns						05:04
	18	Doctor Brown						03:43
	19	Need your Love tonight						03:29
	20	If You Be My Baby						03:54
	21	Evenin' Boogie						02:42
	22	Lazy Poker Blues						02:36
	23	Coming Home						02:40
	24	Trying So Hard To Forget						04:44

Peter Green's Fleetwood Mac
Date of Release Feb 1968

AMG REVIEW: Fleetwood Mac's debut LP was a highlight of the late-'60s British blues boom. Green's always inspired playing, the capable (if erratic) songwriting, and the general panache of the band as a whole placed them leagues above the overcrowded field. Elmore James is a big influence on this set, particularly on the tunes fronted by Jeremy Spencer ("Shake Your Moneymaker," "Got to Move"). Spencer's bluster, however, was outshone by the budding singing and songwriting skills of Green. The guitarist balanced humor and vulnerability on cuts like "Looking for Somebody" and "Long Grey Mare," and with "If I Loved Another Woman," he offered a glimpse of the Latin-blues fusion that he would perfect with "Black Magic Woman." The album was an unexpected smash in the U.K., reaching number four on the British charts. - Richie Unterberger

1. My Heart Beat Like a Hammer (Spencer)
2. Merry-Go-Round (Green)
3. Long Grey Mare (Green)
4. Hellhound on My Trail (Johnson/Traditional)
5. Shake Your Moneymaker (James/James)
6. Looking for Somebody (Green)
7. No Place to Go (Burnett)
8. My Baby's Good to Me (Spencer)
9. If I Loved Another Woman
10. Cold Black Night (Spencer)
11. The World Keep on Turning (Green)
12. Got to Move (James/Sehorn)


My Heart Beat Like a Hammer
Composed By Jeremy Spencer

AMG REVIEW: The opening track to Fleetwood Mac's debut album put the group right at the apex of the 1960s British blues boom. Essentially an Elmore James-style blues boogie, the song is driven by Jeremy Spencer's powerful slide guitar and vocal work. Updating James' tunes would be something the early band would do quite often, yet this early take has a certain drive and freshness that is undeniable, and adding Peter Green's snaky lead guitar gave the group an unfair advantage. - Matthew Greenwald


Merry-Go-Round
Composed By Peter Green

AMG REVIEW: One of the earliest examples of Fleetwood Mac and especially Peter Green's ability to reinterpret such blues giants as B.B. King, "Merry Go Round" takes such King songs as "Have You Ever Loved a Woman" and makes it their own. A sterling and powerful groove is set up by the rhythm section of Mick Fleetwood and John McVie, over which Green reads this ballad like a blues tone poem, complete with a fabulous, lyrical guitar solo that would go down in the annals of British rock history. British blues doesn't get much better than this. - Matthew Greenwald


Long Grey Mare
Composed By Peter Green

AMG REVIEW: Fleetwood Mac obviously wanted to cover several different blues styles on their debut album, and they definitely do so. "Long Grey Mare" is an up-tempo almost jump blues with a strong boogie feeling. A straight-ahead 4/4 rock/ blues progression guides the melody, which is buttressed by Peter Green's tasteful harmonica work. Although the lyrics are certainly derivative of several older blues songs, the overall effect is that of an excellent period piece and shows off the band's ensemble playing quite well. - Matthew Greenwald


Hellhound on My Trail
Composed By Robert Johnson/Traditional

AMG REVIEW: One of Fleetwood Mac's biggest influences was the long-lamented and much-heralded master, Robert Johnson. Covering one of his classics, "Hellhound on My Trail," wasn't a surprise on Fleetwood Mac's debut album, but the way they did it was indeed unusual. Instead of revisiting the song in their standard boogie style, chose a more ethereal approach, and this recording is essentially a solo performance, with Jeremy Spencer accompanying himself on piano. Although his keyboard work was somewhat untrained, this version captures the stark terror that was identifiable on Johnson's dark original. - Matthew Greenwald


Shake Your Moneymaker
Composed By Elmore James/E. James

AMG REVIEW: A tune that truly captured the early Fleetwood Mac style to a tee, this version of Elmore James' classic is one of the greatest examples of mid-'60s blues boogie music. A fabulous and frighteningly authentic performance by Danny Kirwin on vocals and slide guitar is so similar to James' original that it's a little scary. Aside from Kirwin's performance, there is a great, unified feel in the entire band's ensemble reading, and this alone set the band aside from other blues bands of the period. - Matthew Greenwald


Looking for Somebody
Composed By Peter Green

AMG REVIEW: Fleetwood Mac was no doubt capable of frighteningly authentic readings of classic blues material such as "Shake Your Moneymaker," but it was originals such as this that set the band in another league. In a way, "Looking for Somebody" takes a straight blues figure and adds an element of calypso and almost bossa nova to create a truly unique song. Peter Green's immaculate, rustic style is at the fore here, with a very intimate performance (especially the vocals) that showed the world that the bandmembers were not only great stylists, but creators as well. - Matthew Greenwald


No Place to Go
Composed By Chester Arthur Burnett

AMG REVIEW: Written by the legendary Howlin' Wolf, "No Place to Go" is a straight-ahead boogie number, and almost an extension of his classic "How Many More Times." An extremely solid performance by the Fleetwood Mac rhythm section highlights this performance, and it's topped off by a rare turn on blues harp from Peter Green. The overall sense of guttural funk that the band was capable of is captured in this track, one of the best of their debut album. - Matthew Greenwald


My Baby's Good to Me
Composed By Jeremy Spencer

AMG REVIEW: One of several songs in the early Fleetwood Mac canon that drew heavily from the Elmore James songbook, "My Baby's Good to Me" is a solid, mid-tempo funk exercise. While not one of Mac's more well-known songs, it fit the ensemble playing of the early period of this band like a glove, particularly Jeremy Spencer's excellent, authentic slide guitar playing. - Matthew Greenwald


If I Loved Another Woman
Composed By Peter Green

AMG REVIEW: One of the finest examples of the early Fleetwood Mac's ability to transform and modernize the blues, "If I Loved Another Woman" takes a straight-ahead blues progression into another realm. The overall calypso darkness of the melody and rhythm can be seen as a draft of one of their most popular numbers, "Black Magic Woman," which would appear a year later. The sense of mystery in that song is more than hinted at here, and it is also the first time that Peter Green truly found his reverb-drenched "sound" that he would soon become legendary for. - Matthew Greenwald


Cold Black Night
Composed By Jeremy Spencer

AMG REVIEW: Although each of the songwriter/guitarists in the early Fleetwood Mac had their own individual style and sound, "Cold Black Night" finds them influencing each other to a great degree. In this song, Jeremy Spencer takes Peter Green's mysterious, neo-calypso style on, and the results are wonderfully swampy and evocative. This song also shows the band capable of handling a slow blues quite well, aside from their patented ability of boogie. - Matthew Greenwald


World Keep on Turning
Composed By Peter Green

AMG REVIEW: A very important song in the history of Fleetwood Mac, this song (particularly the acoustic guitar riff) was later used on "World Turning" from their 1977 Rumors album. Essentially a solo acoustic performance from Mac's early guiding light, Peter Green, this song is strongly reminiscent of some of Son House's early, classic work. An intimate vocal performance is the highlight of this brief, but shining song. - Matthew Greenwald


Got to Move
Composed By Elmore James/Marshall Sehorn

AMG REVIEW: The final song on Fleetwood Mac's debut album finds the group covering a song by one of their idols, Sonny Boy Williamson. A knee-deep, mid-tempo groove is the basis for this fabulous ensemble piece, which gives all the bandmembers room to stretch their chops. The sense of dark sexuality, crossed with almost comical blues whimsy is more than apparent here, and the band's tough, no-nonsense attitude is one of the finest on the album. A perfect closing song to a near-perfect album. - Matthew Greenwald





Mr. Wonderful
Date of Release Aug 1968

Although it made number ten in the U.K., Fleetwood Mac's second album was a disappointment following their promising debut. So much of the record was routine blues that it could even be said that it represented something of a regression from the first LP, despite the enlistment of a horn section and pianist Christine Perfect (the future Christine McVie) to help on the sessions. In particular, the limits of Jeremy Spencer's potential for creative contribution were badly exposed, as the tracks that featured his songwriting and/or vocals were basic Elmore James covers or derivations. Peter Green, the band's major talent at this point, did not deliver original material on the level of the classic singles he would pen for the band in 1969, or even on the level of first-album standouts like "I Loved Another Woman." The best of the lot, perhaps, is "Love That Burns," with its mournful minor-key melody and sluggish, responsive horn lines. Mr. Wonderful, strangely, was not issued in the U.S., although about half the songs turned up on its stateside counterpart, English Rose, which was fleshed out with some standout late-'60s British singles and a few new tracks penned by Danny Kirwan (who joined the band after Mr. Wonderful was recorded). - Richie Unterberger

1. Stop Messin' Round (Green) - 2:22
2. I've Lost My Baby (Spencer) - 4:18
3. Rollin' Man (Adams/Green) - 2:54
4. Dust My Broom (James/Johnson) - 2:54
5. Love That Burns (Adams/Green) - 5:04
6. Doctor Brown (Glasco) - 3:48
7. Need Your Love Tonight (Spencer) - 3:29
8. If You Be My Baby (James) - 3:54
9. Evenin' Boogie (Spencer) - 2:42
10. Lazy Poker Blues (Green) - 2:37
11. Coming Home - 2:41
12. Trying So Hard to Forget (Green) - 4:47


Stop Messin' Round
Composed By Peter Green

AMG REVIEW: The opening track from Fleetwood Mac's second album finds the band at once staying true to their authentic blues roots while expanding arrangements. Essentially a Jimmy Reed-styled blues-rocker, "Stop Messin' Around" is buttressed by an excellent, funky horn section. Some excellent solo sections from Peter Green highlight the song and show the band digging in to a more hard rock groove than the songs from their debut. - Matthew Greenwald


I've Lost My Baby
Composed By Jeremy Spencer

AMG REVIEW: A great, slow blues workout, "I've Lost My Baby" immediately followed "Black Magic Woman" on Fleetwood Mac's second album, and the effect of this programming was indeed dramatic. A blues in the style of "Stormy Monday Blues," the languid electricity of the track is positively narcotic. Jeremy Spencer's powerful vocal - reminiscent of Howlin' Wolf - and the exceptional slide playing are the centerpiece here, and the overall effect sort of defines the late-'60s British blues movement. - Matthew Greenwald


Love That Burns
Composed By C.G. Adams/Peter Green

AMG REVIEW: One of the highlights of the early Fleetwood Mac catalog, "Love That Burns" showcases Peter Green's command of a slow blues. Emotionally charged and intense lyrics touch upon some classic blues imagery; the failing of a romance, as usual, is the main subject matter. A simple, minor-key, three-chord pattern carries the melody, but the most important ingredient here is the actual performance, which Green delivers with an undeniable degree of passion, both in his vocal and electric guitar work. - Matthew Greenwald


Doctor Brown
Composed By Waymon Glasco

AMG REVIEW: A whimsical, almost Depression-era blues ballad, "Doctor Brown" is led by a vibrato-laden guitar riff from Jeremy Spencer. The band's loose performance and arrangement here neatly echo the sense of comedy and tragedy in the lyrics, and it shows another side to their boundless creativity in a stilted, somewhat rustic blues environment. - Matthew Greenwald


Evenin' Boogie
Composed By Jeremy Spencer

AMG REVIEW: A great slice of classic early rock & roll, this instrumental showcases Fleetwood Mac's ability to really cut loose and boogie. A fabulous saxophone track recalls all of the abandon of mid-'50s rock & roll, and crossed with Jeremy Spencer's brilliant slide guitar work creates an exploration into rediscovery. Also, top marks go to the rhythm section, especially Mick Fleetwood's relentless drum performance. - Matthew Greenwald


Coming Home
Composed By Elmore James

AMG REVIEW: Although Fleetwood Mac was capable of writing their own successful " tribute" songs to the likes of Howlin' Wolf and Elmore James, they really shined on covers of their material. This classic James song was a perfect vehicle for Jeremy Spencer's uncanny imitation. Strikingly similar to other James material such as "Dust My Broom," this slide workout is brief, powerful, and authentic all at the same time. - Matthew Greenwald





Peter Green's Fleetwood Mac

Format : Import CD
Released : 24 Feb 1968 (UK), 03 Jun 1968 (US)
Label : Blue Horizon 7-73200 / Epic BN-26402 / CBS-477358 / Impact
Charts Peak : US #198, UK #4 (Mar 1968)


Bob Brunning
Mick Fleetwood
Peter Green
John McVie
Jeremy Spencer


Fleetwood Mac's debut LP was a highlight of the late '60s British blues boom. Green's always inspired playing, the capable (if erratic) songwriting, and the general panache of the band as a whole placed them leagues above the overcrowded field. Elmore James is a big influence on this set, particularly on the tunes fronted by Jeremy Spencer ("Shake Your Moneymaker," "Got to Move"). Spencer's bluster, however, was outshone by the budding singing and songwriting skills of Green. The guitarist balanced humor and vulnerability on cuts like "Looking for Somebody" and "Long Grey Mare," and with "If I Loved Another Woman," he offered a glimpse of the Latin-blues fusion that he would perfect with "Black Magic Woman." The album was an unexpected smash in the U.K., reaching No. 4 on the British charts. (Richie Unterberger, All Music Guide)


Number of Peter Green's Fleetwood Mac (February 1968) Reviews: 3

The Blues Re-Defined
Reviewer: Big Daddy Caddy (3macs@tampabay.rr.com), Master O None Extraordinaire May 05, 2002
Peter Green's Fleetwood Mac were influenced by some of the greatist Blues artist of all time, Elmore James I believe to be their favorite. What I like to reflect upon about this album is, the fact that some artists can reinvent a song to make it their's. Jeremy Spencer and Peter Green do just that in this album and others. I must admit though, my favorite song on this album is If I Loved Another Woman by Peter Green. It has this melancholy kind of enchantment about it that makes you forget where you are for a minute. Most of us prefer the original artist with the original music however, any fan of the blues will be compelled to listen to this album always.



Perhaps the best blues album from Britain ever!
Reviewer: Jay Bowers (branch59@aol.com), postman February 24, 2002

I have been listening and relistening to this album for years! Compare it to the much vaunted Rolling Stones and their ilk, not to mention losers like Pink Floyd, and you realize that a certain peak was reached here. The British "re-interpretation" and "cleaning up" of the blues was a real revelation and remains so to this day... these guys, led by Peter Green, reached a level achieved by no one else in their chosen genre- and this includes the Americans!


Traditionalist Triumvirate
Reviewer: John Fitzgerald, Human resources staff database assistant February 22, 2001

The debut album shows the bands commitment to pure blues stylings to suburb effect.
Although Green's songs are generally more adventurous than Spencer's, I think the real
plus in this platters' favor is that Jeremy is able to sound fresh and refrains from his
favorite Elmore James opening riff and tempo that some felt he had overused on future
recordings. Undoubtedly, the best of which is "Shake your moneymaker" which is real
hard driving stuff and it doesn't stop there as there's two great boogie stomps in "My
heart beat like a hammer" & "My baby's good to me" as well as his piano talents on
Robert Johnson's "Hellhound on my trail". The genius of Peter Green surprised many
with purist arrangements on "Looking for somebody", "The world keep on turning",
"Long grey mare" (which is the oldest recording as it features the Mac's original bass
player Bob Brunning and has some hair raising harp by Peter) & a faithful cover of
Howlin' Wolf's "No place to go" (a.k.a. "How many more years"). Peter does plug in for
Chicago blues flavored "Merry go round" & the coolly atmospheric "I loved another
woman". If you want the Mac at their most traditional, you can't do much better than this.







Mr. Wonderful

Format : Import CD
Released : 23 Aug 1968
Label : Blue Horizon / Castle / Sony
Charts Peak : UK #10 (Sep 1968)

Mick Fleetwood
Peter Green
John McVie
Jeremy Spencer
guest appearance by Christine McVie


Augmented by a swinging horn section and the keyboards of one Christine Perfect, Messrs Green, Spencer, Fleetwood and McVie serve up another fine selection of sweltering blues: suffocating my-woman-done-me-wrong melancholy such as Trying So Hard To Forget and I've Lost My Baby, where Spencer's exquisite, delta-slide phrasing sits prettily atop a steady steamrolling bass line, plus thumpin' brass-coloured rockers Stop Messin' Around, Rollin' Man, Elmore James's Dust My Broom and Coming Home, and the instrumental Evenin' Boogie. Although there's little here to indicate that the band were about to move away from the traditional into the more experimental area of Green's own idiosyncratic compositions - Black Magic Woman, Man Of The World, Oh Well, Albatross and The Green Manalishi were waiting just around the corner - there's plenty for the fans to get excited about. 4 out of 5 stars. (Graeme Kay, Q Album Reviews)



Editorial to above
Reviewer: Anonymous, March 25, 2001

To editorialize here a bit;

There are four Jeremy Spencer titles in this collection where Elmore James' "Dust My Broom" guitar riff is used, (Hmmm! Sounds like an Elmore James album).

This is where the rather unfair cliche, implicating Jeremy as being redundant, first originated. Since "Mr. Wonderful" was released only in the UK, the banality must have begun there as well. (The album was available in the US only as an import).

Being from the US, in 1969 the first Fleetwood Mac album that I owned was "English Rose". On which appeared two of the aforementioned tracks, "Doctor Brown" and "Coming Home". There was enough difference in the guitar phrasing, the tempo, and the lyric content, plus the fact that the songs were on opposite sides of the platter, that I did not see it as a negative by any means. In fact, it was those two tracks that initially drew me to the group's music.

Then of course, listening to "English Rose" as a whole entity, with Peter, Jeremy and Danny's music included, I was hooked for life.

By the time I had a copy of the import "Mr. Wonderful", I already had copies of "Peter Green's Fleetwood Mac", "English Rose", "Fleetwood Mac In Chicago" and "Then Play On". So more blues by Peter Green and Jeremy Spencer was a real find.

To this day, I am grateful for every track on "Mr. Wonderful", and for the fact that after Elmore's death, Jeremy was there to keep the music alive. If your listening Jeremy, Ill have four more, please.

Jeremy Spencer was able to capture the essence of Elmore James in an unparalleled manner, which was precisely what held Peter Green in awe, when he asked him to join the group. Peter was not the management type, but he knew what he was doing when it came to music, and putting a group together. When you saw them perform live, they all received terrific ovations, especially Jeremy, I was there!



A Bonanza for Fleetwood Mac blues Collectors!
Reviewer: Joe Panackia, Fleetwood Mac Aficionado March 17, 2001

This album expounds primarily on up-tempo blues tracks fronted either by Peter Green or Jeremy Spencer.

"Stop Messin' 'Round" is the benchmark by which all those Freddie King-type numbers are to be judged, (including Freddie's). The sound and phrasing of Peter Green's guitar is simply awesome. Add the horns and piano, and you've got a classic. That same fiery combination appears in the titles, "Rollin' Man", "If You Be My Baby", and "Lazy Poker Blues" with the rhythm varying slightly. "Trying So Hard To Forget" is the slowest tune on the album. "Love That Burns" is an extraordinary Peter Green slow blues number. Listening to Christine (Perfect) McVie"s piano fade out at the end of the song, will give you chills.

Jeremy Spencer's "I've Lost My Baby" may be the finest interpretation of Elmore James ever put on wax. The blues master's "Hawaiian Boogie" is transformed into "Evenin Boogie", and there are four tracks based on Elmore's "Dust My Broom" guitar riff, that title being one of them.

Mick Fleetwood and John McVie were proving themselves to be the best blues rhythm section in the business.

It has been reported that the sessions for the first album (Peter Green's Fleetwood Mac) and "Mr. Wonderful" was one continuous project. The overall sound of course is quite different. On the first album, the equipment (instruments, mikes, etc.) was plugged directly into the tape deck. For "Mr. Wonderful", a PA, and speakers, were set up in the studio to create a more live sound, reminiscent of a 1940's recording studio; thus producing an ideal environment for recording this music.

Mr. Wonderful is a great blues album.







Official Albums





Item Summaries: 1 - 26

1.
Say You Will
by Fleetwood Mac
Average Rating: *not yet reviewed* new
Read/Submit Reviews (Reviews: 0)
Featuring: Lindsey Buckingham, Mick Fleetwood, John McVie, Stevie Nicks



2.
The Very Best Of Fleetwood Mac (2002)
by Fleetwood Mac
Average Rating: 3.9
Read/Submit Reviews (Reviews: 32)
Featuring: Mick Fleetwood, John McVie, Christine McVie, Stevie Nicks, Lindsey Buckingham, Billy Burnette, Rick Vito



3.
The Dance (1997)
by Fleetwood Mac
Average Rating: 4.6
Read/Submit Reviews (Reviews: 8)
Featuring: Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks, (Brett Tuggle), (Neale Heywood)



4.
Time (1995)
by Fleetwood Mac
Average Rating: 3.1
Read/Submit Reviews (Reviews: 9)
Featuring: Mick Fleetwood, John McVie, Christine McVie, Dave Mason, Billy Burnette, Bekka Bramlett, (Lindsey Buckingham)



5.
25 Years - The Chain (1992)
by Fleetwood Mac
Average Rating: 5.0
Read/Submit Reviews (Reviews: 1)
Featuring: Peter Green, Mick Fleetwood, John McVie, Danny Kirwan, Jeremy Spencer, Christine McVie, Stevie Nicks, Lindsey Buckingham, Billy Burnette, Rick Vito, Bob Welch, Bob Weston



6.
Behind The Mask (1990)
by Fleetwood Mac
Average Rating: 3.2
Read/Submit Reviews (Reviews: 5)
Featuring: Mick Fleetwood, John McVie, Rick Vito, Billy Burnette, Christine McVie, Stevie Nicks, (Lindsey Buckingham)



7.
Greatest Hits (1988)
by Fleetwood Mac
Average Rating: 4.3
Read/Submit Reviews (Reviews: 3)
Featuring: Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks, Billy Burnette, Rick Vito



8.
Tango In The Night (1987)
by Fleetwood Mac
Average Rating: 4.0
Read/Submit Reviews (Reviews: 8)
Featuring: Mick Fleetwood, John McVie, Christine McVie, Stevie Nicks, Lindsey Buckingham



9.
Mirage (1982)
by Fleetwood Mac
Average Rating: 3.8
Read/Submit Reviews (Reviews: 9)
Featuring: Mick Fleetwood, John McVie, Lindsey Buckingham, Christine McVie, Stevie Nicks



10.
Live (1980)
by Fleetwood Mac
Average Rating: 4.8
Read/Submit Reviews (Reviews: 7)
Featuring: Mick Fleetwood, John McVie, Lindsey Buckingham, Christine McVie, Stevie Nicks



11.
Tusk (1979)
by Fleetwood Mac
Average Rating: 4.6
Read/Submit Reviews (Reviews: 8)
Featuring: Mick Fleetwood, John McVie, Christine McVie, Stevie Nicks, Lindsey Buckingham, (Peter Green)



12.
Rumours (1977)
by Fleetwood Mac
Average Rating: 5.0
Read/Submit Reviews (Reviews: 8)
Featuring: Mick Fleetwood, John McVie, Christine McVie, Stevie Nicks, Lindsey Buckingham



13.
Fleetwood Mac (1975)
by Fleetwood Mac
Average Rating: 4.6
Read/Submit Reviews (Reviews: 6)
Featuring: Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks



14.
Heroes Are Hard To Find (1974)
by Fleetwood Mac
Average Rating: 3.6
Read/Submit Reviews (Reviews: 3)
Featuring: Mick Fleetwood, John McVie, Christine McVie, Bob Welch



15.
Penguin (March 1973)
by Fleetwood Mac
Average Rating: 4.0
Read/Submit Reviews (Reviews: 2)
Featuring: Mick Fleetwood, John McVie, Dave Walker, Bob Weston, Bob Welch, Christine McVie, (Peter Green)



16.
Mystery To Me (October 1973)
by Fleetwood Mac
Average Rating: 4.6
Read/Submit Reviews (Reviews: 3)
Featuring: Mick Fleetwood, John McVie, Christine McVie, Bob Welch, Bob Weston



17.
Bare Trees (1972)
by Fleetwood Mac
Average Rating: 4.6
Read/Submit Reviews (Reviews: 6)
Featuring: Mick Fleetwood, John McVie, Danny Kirwan, Christine McVie, Bob Welch



18.
Future Games (1971)
by Fleetwood Mac
Average Rating: 5.0
Read/Submit Reviews (Reviews: 2)
Featuring: Mick Fleetwood, John McVie, Danny Kirwan, Christine McVie, Bob Welch



19.
Kiln House (1970)
by Fleetwood Mac
Average Rating: 4.6
Read/Submit Reviews (Reviews: 5)
Featuring: Mick Fleetwood, John McVie, Jeremy Spencer, Danny Kirwan, (Christine McVie)



20.
Then Play On (September 1969)
by Fleetwood Mac
Average Rating: 5.0
Read/Submit Reviews (Reviews: 2)
Featuring: Mick Fleetwood, John McVie, Peter Green, Danny Kirwan, (Christine McVie)



21.
English Rose (January 1969)
by Fleetwood Mac
Average Rating: 5.0
Read/Submit Reviews (Reviews: 4)
Featuring: Peter Green, Mick Fleetwood, John McVie, Danny Kirwan, Jeremy Spencer, (Christine McVie)



22.
Mr. Wonderful (August 1968)
by Fleetwood Mac
Average Rating: 4.0
Read/Submit Reviews (Reviews: 2)
Featuring: Mick Fleetwood, John McVie, Peter Green, Jeremy Spencer, (Christine McVie)



23.
Peter Green's Fleetwood Mac (February 1968)
by Fleetwood Mac
Average Rating: 4.6
Read/Submit Reviews (Reviews: 3)
Featuring: Mick Fleetwood, John McVie, Peter Green, Jeremy Spencer, Bob Brunning