01	Herr Mannelig			Deutsche Messe D 872 - Coro SATB und Orgel			06:22
	02	Vanner Och Frander			Instrumental			05:11
	03	Halling Fran Makedonien			Deutsche Messe D 872 - Coro SATB und Orgel			02:45
	04	Min Man			Deutsche Messe D 872 - Coro SATB und Orgel			04:20
	05	Varulven			Instrumental			04:33
	06	Hilla Lilla			Messe in G - D 167. Soli STB, Coro SATB und Orchester (Soloba?: Anton Scharinger)			06:19
	07	Drew Drusnaar / Idag Som Igar			Messe in G - D 167. Soli STB, Coro SATB und Orchester (Soloba?: Anton Scharinger)			02:46
	08	Njaalkeme			Mastruz com leite			05:03
	09	Herr Holger			Instrumental			04:38
	10	Guds Speleman			Frank Aguiar			03:27

Select/KOSC-222
Alain Morisod

Garmarna
(Псы)
1996
Guds Speleman
(Божьи Музыканты)

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1. Herr Mannelig
(Герр Маннелиг) music: trad./S.Brisland-Ferner/G.Ringqvist text
2. Vanner och Frander
(Друзья и сородичи) text
3. Halling fran Makedonien
(Халлинг из Македонии)
4. Min Man
(Мой муж) text
5. Varulven
(Оборотень) music: G.Ringqvist text
6. Hilla Lilla music: trad./S.Brisland-Ferner text
7. Drew Drusnaar/Idag som igar
(Drew Drusnaar/Сегодня как вчера) music:S.Brisland-Ferner/trad. text
8. Njaalkeme
(Голод) music: trad./Pal Torbjorn Doj, text: Cecilia Persson
9. Herr Holger
(Герр Хольгер) music:S.Brisland-Ferner, E.Hardelin. text
10. Guds Speleman
(Божьи музыканты) music: Per Ahlbom, text: Nils Ferlin

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Stefan Brisland-Ferner vevlira, fioler; lataltfiol, mungiga, sampling & kor
Emma Hardelin sang
Jens Hoglin trummor, darbuka & djembe
Gotte Ringqvist lutgitarr, lataltfiol & kor
Rickard Westman gitarrer, E-bow & mungiga

Sank: programmering & bas
Bjorn Eriksson: bas pa (6), (2)
Pal Torbjorn Doj: rost pa (8)
Producerat av Sank for Toy Town Productions
Arrangemang av Garmarna och Sank
Inspelad av Sank i Sundsvall 1995 pa City Sound Studio i september och november. Trummor imspelade pa Pipeline i september
Kompletterande inspelningar gjorda i Tonhallstudion i december
Mixat av Sank i MVG studio i december 1995, januari 1996.
Digitalmastering av Bjorn Engelmann pa Cutting Room.
Forproduktion i Studio 4, Sundsvall.
Foto: Kristofer Lonna
Malning: Jens Hoglin efter en ursprungsgarm av Petter Kallionen
Omslagside: Jens Hoglin
Grafisk form, retusch, mm: Per Mattsson
Forlag: Masspublishing, administerat av Sweden Music
Tack till:
Mats och Lars Hammerman, Peter Jonsson, Per Matsson, Lars Forslund, Christer Suneson, Mats Edlund, Jojje Borlin, Lars Alnestad, Leif Eriksson, Niklas Jurander, Patrik Engstrom, Lars Sjoberg och Lars Jonsson, Sven-Erik Lundvall, Bjorn Eriksson, Kristofer Lonna, Christian Andersson, Gucko, Matti och Petter Kallioinen, Anders Larsson, Peter Svensson, Torbjorn Doj, Cecilia Persson, Micke Westerlund, Musikborsen i Sundsvall, Stefan Glaumann, Pierre Alwert, Hasse Hjorth och KonTur, Drew och Patti pa Omnium, Ulli Hetscher, Anne-Marie pa Xource, Pernilla pa MNW, Eva & Nikolaj pa Silence, Birdnest, Sweden Music, Sveriges Radio AB, Dynesius Musik Sundsvall, Estrad Musik Stockholm, Pipeline, The Confusions, Left Hand Solution, Pale, Unholy, Vada, The Kristet Utseende, The Drugaddicts, Koracken och Hypergod, Magnus Walterstad och Studio 4.
Ett sarskilt takk till Sank och familjen Andersson for gudomligt talamod, samt till vara foraldragar for att de holl oss vid liv.



GARMARNA
Guds Spellman
Omnium

I could write six reviews a year about this band if I could only find an excuse. Hailing (or is that halling?) from Sweden, this rock band has one of the toughest, edgiest, dark sounds to come around in a while. They are electrically powered, to be sure, but what they power is unique. Stefan Brislan-Ferner's hurdy-gurdy stands as one of the most unique tools a rock band could use. You have to sit to play it, turning a crank that spins a wheel that rolls against a set of rosined strings and produces a sound in it's acoustic state that would make hair curl and teeth sit on edge (imagine something more abrasive than a bagpipe at dawn). But what happens to this instrument in the context of this band is wondrous: mysterious, softly threatening, as romantic as a Poe story. Layered around this are thundering drums, heavy on the bass-end skins, light on the cymbals; synths, bass, acoustic and electric guitars, viola and violin, jew's harp; enough drones to drown in.

This would be enough to make them a must, but over all of this are the vocals, especially the front end of Emma Hardelin. Here a band becomes a force; melodic, rhythmic, emotional. Surrounded by her male counterparts, the ensemble vocals have the impact I last remember on some early Steeleye Span records. Add their innovative musical arrangements, a purely Swedish music that pays no tithe to tradition, and they rock. I have raved about this band before, and I will rave about them again and again. Garmarna make sure that rock music is not only the domain of American guitars and English haircuts. They prove it can be native, in any tongue.