01	Focus...(Vocal)						02:44
	02	Black Beauty						03:08
	03	Sugar Island						03:05
	04	Anonymous						06:32
	05	House Of The King						02:51
	06	Happy Nightmare (Mescaline)						03:58
	07	Why Dream						03:59
	08	Focus (Instrumental)						09:45

Jan Akkerman
Thijs van Leer
Martijn Dresden
Hans Cleuver

Focus - "In and Out of Focus" (1970)
Led by flutist/keyboardist/vocalist Thjis Van Leer and guitarist Jan Akkerman, Focus was one of the leading Dutch progressive rock bands. The classic and typical Focus sound, was quite jazzy and symphonic, but it`s unfortunately not too much of that on their debut-album. There`s three classic tracks here: Focus (a quite representative track of the more mellow side of Focus), the energic "Anonymous" and the VERY Jethro Tull-like "House of the King". The rest of the album is just a bunch of useless pop-tunes. But the three mentioned tracks showed that the group was capable to make great stuff, so the next album just had to be better. And it definitively was!!


FOCUS


Of all the groups in the 1970s that combined elements of rock and classical music, Focus is, without a doubt, the most notable Dutch group widely known outside the Netherlands.

Thijs van Leer founded Focus, following his conservatory studies, alongside bassist Martin Dresden and drummer Hans Cleuver. This initial line up received most of its work on the cabaret circuit, and in 1969 - also as the backing group for the Dutch cast of "Hair".

In 1970, the unique and talented guitarist, one Jan Akkerman (ex-Brainbox, Hans Dulfer), joined the group, and their first album release, "In and Out of Focus" followed one year later. At this early stage, the musical style of Focus had not yet completely crystallised, which is evidenced by this album. With the exception of "Anonymous" and "House of the King" (the latter released as a single), the album did not amount to much, compared to its followers.

In 1971, Akkerman introduced Brainbox drummer Pierre van der Linden to the group's lineup. Also, subsequently, bass player Cyrill Havermans (ex-Big Wheel) joined the group; Cleuver and Dresden were asked to leave as a result. This new lineup recorded the much-acclaimed "Moving Waves" album. This true Dutch rock classic contains the mega-selling hit single, "Hocus Pocus", written by Akkerman; side two consists entirely of the 23 min. 04 sec. conceptual piece, "Eruption", written by Thijs van Leer. In this opus, he was venturing into the work of three classical composers.

Later that same year, Havermans left to pursue a career as a solo artist. He was replaced by Bert Ruiter (ex-Angelflight Railways). This line up proceeded to record "Focus 3", almost live, in the studio - a worthy followup to "Moving Waves", and almost as successful. The single, "Sylvia" was culled from this album.

Now Focus were on top, and in high demand in their home land, and abroad, as a hot live act. The albums and singles had generated huge popularity both in England and in the U.S. It was at their peak that "Focus Live At The Rainbow" was recorded in London, a living testament to the lasting power of the group's live sound from the period, as well as Akkerman's phenomenal fretboard virtuosity, released May 5th, 1973.

In 1973, Van der Linden left to join Rick van der Linden (ex-Ekseption) in the creation of Trace, and was replaced by ex-Stone the Crows drummer Collin Allen (also previously with Zoot Money and John Mayall). This lineup recorded a somewhat less successful and weaker "Hamburger Concerto".

1975 was a hectic year for Focus. There was trouble looming ahead... First, Collin departed, and persistent rumours suggested that Akkerman was to follow his suit himself very soon. Thus, "Mother Focus" was recorded, in this state of turmoil, with the American drummer David Kemper, stepping in. However, Allen still played on one track. This album also indicated the change of the group's style towards a more funky end of the spectrum, and Akkerman, who had been rowing with Van Leer for quite some time about musical direction, openly distanced himself from the end-product. According to Akkerman it was ":typical American music, has nothing to do with Focus."

Early 1976 finally saw the two egos clash heavily, which resulted in Akkerman's departure from the band. He was replaced by the Belgian jazz-rock guitarist Philip Catherine. From that moment on, Focus no longer had any impact on the scene, and subsequently lost all the gumption and the success, especially compared to the classic, Akkerman lineup.

Come 1977, Eef Albers and P.J. Proby joined the group, to record its weakest and the most confused offering to date, "Focus Con Proby", which contained old recordings, not used over a period of the previous few years, now remixed by English producer Mike Vernon, with Proby's vocals added. Steve Smith (ex-Jean-Luc Ponty's Pegasus) was featured on drums, and Jons Pistoor (ex-Maggie McNeal) on keyboards.

In 1978, the group finally split up, without making too much noise - the media didn't even notice.



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Discography:

1970 Why dream/Happy nightmare Imperial 5C 006-24220
House of the king/Focus 24250
LP In and out of Focus 054-24192
1971 Hocus pocus/Janis 006-24415
LP Focus II 054-24385
1972 Sylvia/Love remembered 006-24607
Tommy/Focus II 24629
2LP Moving waves 180-24572/73
2LP Focus III 180-24753/54
1973 Hocus pocus/Sylvia 006-24697
LP At the Rainbow 054-24939
1974 Harem scarem/Early bird Polydor 2058466
LP Masters of rock Imperial 5C 054-25130
1975 LP Mother Focus Polydor 2344053
1976 P's march/Focus II EMI PRH 14
LP Focus II (re) Imperial 5C 038-24385
LP House of the king EMI Emigold DAG 102
LP Ship of memories 5C 050-25610
1977 LP Hamburger Concerto (re) 064-25693
LP Mother Focus (re) 25694
LP Focus con Proby 25713
Aanvulling:
1974 LP Hamburger Concerto Polydor 2460228



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To Focus Home Page
Discography by: Adri Verhoef (a3@a3.xs4all.nl)
Article translated by: Louis Rentrop (uriahboz@zeelandnet.nl)




House of the King


AMG REVIEW: Whenever the tiresome ritual of comparing Focus to Jethro Tull comes around once again, odds are that the complainant has been listening to "House Of The King". Tull, after all, may not have been the first or last band to employ the flute as a lead instrument, but they are certainly the most characteristic, and "House Of The King's driving reliance on it, layered over a snappy handclap rhythm and a folky acoustic guitar, certainly does bear a resemblance to Tull's "Living In The Past" era output. But a trademark Jan Akkerman guitar solo so neatly bisects the track that any further comparisons are rendered totally redundant and, besides,
could Ian Anderson ever have resisted tying a lyric to a tune this compulsive? Probably not.

Absurdly brief by Focus' "classic" standards (it clocks in at a mere two minutes 18 seconds), &"House Of The King"'s popularity among fans was heightened by both its appearance as the UK b-side to the 1973 hit single "Sylvia", and its use as the theme music to a British television program. - Dave Thompson





Anonymus


AMG REVIEW: Opening side two of Focus' In And Out Of Focus debut album, "Anonymous" itself opens and closes with a fanfare straight out of a medieval folk epic. It's an evocative exercise, but the images that it conjures have very little in common with the dynamism lurking amidships.

The heart of "Anonymous" rides a frenetic Jan Akkerman guitar riff, over which Thijs Van Leer layers first flute, then piano. At seven minutes, it is somewhat more restrained than other, similarly constructed, Focus instrumentals ( Focus III's marathon "Anonymous II", for example, spreads across two sides of vinyl), but it is a vibrant showcase for the individual musicianship that powered the band to such heights, all the same. Akkerman and Van Leer predictably dominate, but a volley of drum breaks commencing around the four minute mark lead into an extraordinarily powerful drum solo, evidence of original Focus percussionist Hans Cleuver's now oft-forgotten abilities. Founding bassist (and co-composer) Martin Dresden also takes a memorable role - he, too, would disappear from the Focus story soon after this album's original release. But the multi-faceted "Anonymous" would continue to spotlight Focus' key ingrediants long into the future. - Dave Thompson