01	Stinkfist						05:12
	02	Eulogy						08:28
	03	H.						06:07
	04	Useful Idiot						00:38
	05	Forty Six & 2						06:04
	06	Message To Harry Manback						01:53
	07	Hooker With A Penis						04:33
	08	Intermission						00:56
	09	Jimmy						05:24
	10	Die Eier Von Satan						02:17
	11	Pushit						09:55
	12	Cesaro Summability						01:26
	13	Aenima						06:39
	14	(-) Ions						04:00
	15	Third Eye						13:48

Geeks: Danny Carey, Justin Chancellor, Adam Jones, Maynard James Keenan
Produced by Tool & David Bottrill
All songs written by Tool
Published by Toolshed Music/EMI Virgin Music (ASCAP)
Bill Hicks appears courtesy of Rycodisc
Recorded at Ocean Way, Hollywood, California & The Hook, North Hollywood, California
Mixed at Larrabee, North Hollywood, California
Mastered at Gateway Studios, Portland, Maine
Guitar Tech and equipment consultant: Billy Howerdel
Drum Tech: Bruce Jacoby'
Message to Harry Manback' Keyboards: D.B.
'Intermission' Organ: Eban Schletter
'Die Eier Von Satan' Vox: Marko Fox
Additional Synthesizer on "Third Eye": Chris Pittman
Tour Management (Live Sound): Pete Reidling
Live Visuals: Retina Logic
Management: Larrikin@Pacificnet.net
Attorney: Eric Greenspan of Mymann, Abeil, Fineman & Greenspan
Business Management: Bill V. & Bo Gardner of Seigel, Feldstein, Duffin & Vuylsteke
Booking: John Branigan of William Morris Agency
Merchandise: Peter Lubin & Cheryl Bousquet of Giant
A & R: Matt Marshall
Art Concept: Tool
Artwork Direction & Production: Adam Jones & Kevin Willis
Computer Illustrations: Cam De Leon
Design and Production: Concetta Halstead, DZN
Photographs: Jeff Novac
Photo asst: Fabricio Di Santo
Model: Alana Cain
FX Consultant: Mark Rappaport
Flocker: Shane Mahan & Karen Mason
Welding: Joel Larson
Bill Hicks Painting: Kevin Willis
Send stuff (art, literature, polaroids etc.) to Tool at 8391 Beverly Blvd., #298, Los Angeles, California 90048 (enclose a self-addressed stamped envelope)
Danny uses Sonor, Paiste & Axis
Record Company: Zoo Entertainment, 8750 Wilshire Blvd., Beverly Hills, California 90211, www.zoology.com®© 1996 BMG Music
All Rights Reserved
Multi-Image CD Case by Gelardi Design, Multi-Image is a trademark of Gelardi Design, Kennebunkport, Maine and produced under license from Insight, Inc. Patents pending worldwide.61422-31087-2
see you auntie

The anesthetic state produced does not fit into the conventional classification of stages of anesthesia, but instead produces a state of unconsciousness which has association pathways to the brain before producing somesthetic sensory blockage, in contrast to other anesthesia. Variations in body temperature may occur. Although some salivation is occasionally noted, the persistence of the swallowing reflex aids in minimizing the hazards associated with ptyalism. Single intramuscular injection usually has a wide margin of safety select patience. Fasting prior to induction is not essential; however, when preparing for elective surgery, it is advisable to withhold food for at least six hours prior to administration. Restraint in subhuman primate neonates is difficult to achieve. The recommended restraint dosages for the following are: Papio cynocephalus, Pongo pygmaeus, 5 to 7.5 mg/kg; Aotus trivirgatus 10 to 12 mg/kg, Macaca fascicularis 12 to 15 mg/kg. A single intramuscular injection produces restraint suitable for TB testing; radiography, physical examination or blood collection. To reduce the incidence of emergence reactions, subjects should not be stimulated by sound or handlingduring the recovery period. Apnea, respiratory arrest, cardiac arrest and death have occasionally been reported when used in conjunction with sedatives or other aesthetics. Close monitoring of patients is strongly advised during induction, maintenance and recovery. Timothy Leary identified a genetic type whose future circuits have begun to be activated and coined the FUTANTS. Futants are naturally selected to facilitate survival by being better adapted to explore the future and take risks through their genetic characteristics. Unless we provide a proper environment of freedom in which this positive genetic type can be recognized, operate in, and the dross be separated from the valuable information, we will be depriving the race of a vital resource.



Aenima
Date of Release Oct 1, 1996


For its third release, Tool explores the progressive rock territory previously forged by such bands as King Crimson. However, Tool is conceptually innovative with every minute detail of its art, which sets it apart from most bands. Make no mistake, this isn't your father's rock record. Sonically, the band has never sounded tighter. Long exploratory passages are unleashed with amazing precision, detail, and clarity, which only complements the aggressive, abrasive shorter pieces on the album. There is no compromise from any member of the band, with each of them discovering the dynamics of his respective instrument and pushing the physical capabilities to the limit. Topics such as the philosophies of Bill Hicks (eloquently eulogized in the packaging), evolution and genetics, and false martyrdom will fly over the heads of casual listeners. But those listening closely will discover a special treat: a catalyst encouraging them to discover a world around them to which they otherwise might have been blinded. If these aren't good enough reasons to listen to Aenima, then just trust the simple fact that Tool delivers the hard rock goods every time the band chooses to release something. - Rob Theakston

1. Stinkfist (Tool [1]) - 5:11
2. Eulogy (Tool [1]) - 8:28
3. H. (Tool [1]) - 6:07
4. Useful Idiot (Tool [1]) - :38
5. Forty Six & 2 (Tool [1]) - 6:04
6. Message to Harry Manback (Tool [1]) - 1:53
7. Hooker With a Penis (Tool [1]) - 4:33
8. Intermission (Tool [1]) - :56
9. Jimmy (Tool [1]) - 5:24
10. Die Eier Von Satan (Tool [1]) - 2:17
11. Pushit (Tool [1]) - 9:55
12. Cesaro Summability (Tool [1]) - 1:26
13. Жnema (Tool [1]) - 6:39
14. (-) Ions (Tool [1]) - 4:00
15. Third Eye (Tool [1]) - 13:47

Bill Hicks - Vocals
Chris Pitman - Synthesizer
Tool - Producer, Concept
Karen Mason
David Bottrill - Keyboards, Producer, Engineer, Mixing
Danny Carey
Adam Jones - Producer, Art Direction
Maynard James Keenan - Vocals
Joel Larson
Concetta Halstead - Producer, Design
Jeff Novack - Photography
Eban Schletter - Organ
Kevin Willis - Producer, Art Direction, Paintings
Alana Cain - Model
Keith Willis - Artwork
Mark Rappaport - Effects Consultant
Cam de Leon - Artwork, Computer Illustration
Justin Chancellor
Fabrico DiSanto - Photography, Photo Assistance
Marko Fox - Vox Organ

1996 LP Volcano 31087
1996 CD Volcano 31087