La Chapelle Royale - Heinrich Schutz - Musikalische Exequien
Harmonia Mundi  (1987)

In Collection
#930

7*
CD  58:46
9 tracks
   01   I. Concert in Form einer teutschen Begrabnis-Messe       Musikalische Exequien, op. 7, SWV 279       26:05
   02   II. Motette "Herr, wenn ich nur Dich habe"       Musikalische Exequien, op. 7, SWV 280       03:46
   03   III. Canticum B. Simeonis "Herr, nun lassest Du Deinen Diener"       Musikalische Exequien, op. 7, SWV 281       05:01
   04   Also hat Gott die Welt geliebt       Motet, SWV 380       03:13
   05   Selig sind die Toten       Motet, SWV 391       04:30
   06   So fahr ich hin zu Jesu Christ       Motet, SWV 379       03:21
   07   Ich bin die Auferstehung       Petits Concerts Spirituels II, SWV 324       04:09
   08   O lieber Herre Gott       Petits Concerts Spirituels I, SWV 287       03:40
   09   Die Himmel erzahlen       Motet, SWV 386       05:01
Personal Details
Details
Country Belgium
Cat. Number HMC 901261
Packaging Jewel Case
Spars DDD
Sound Stereo
Credits
Conductor Philippe Herreweghe
Notes
SCHUTZ. Musikalische Exequien
A German Funeral Mass op.7, SWV 279-81

Artists:

La Chapelle Royale
Philippe Herreweghe, dir. / cond.

"17th-century Lutherans saw death as a welcome release from life's misery and as the gate to Paradise; Schu"tz's music, and the Chapelle Royale's performance, have all of the contemplative warmth and sweetness that such a view implies. ..The second part is a beautiful double-choir hymn; the third part interweaves the 'Song of Simeon' (sung by choir) with three distant voices singing the hymn 'Blessed are the dead' to magical effect. Herreweghe finishes the disc with some luminous, similarly- themed, small-scale pieces from Kleine Geistliche Konzerte, all glowingly sung."

Amazon.com


"The "Musikalische Exequien," which Herreweghe performs with La Chapelle Royale, is a deeply spiritual yet humanely direct work, written as a response to horrendous plague, illness and war... The melancholic, consoling music is consistently subdued in tempo and dynamics, yet Herreweghe and his forces beautifully capture the intricacy, delicacy and quiet willpower of the score. A remarkable recording of a tender masterpiece."

The New York Times