01	Clandestino						02:28
	02	Desaparecido						03:47
	03	Bongo Bong						02:38
	04	Je Ne T'Aime Plus						02:02
	05	Mentira						04:37
	06	Lagrimas de Oro						02:57
	07	Mama Call						02:21
	08	Luna y Sol						03:07
	09	Por el Suelo						02:21
	10	Welcome to Tijuana						04:04
	11	Dia Luna... Dia Pena						01:30
	12	Malegria						02:55
	13	La Vie						03:00
	14	Minha Galera						02:21
	15	La Despedida						03:09
	16	El Viento						02:26

Clandestino
Date of Release 1998

The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock & roll to French pop to experimental rock to techno. Chao's voice tends to be a bit nasally, but the best songs ("Mentira," "Mama Call," and the silly novelty "Bongo Bong") here benefit from his infectious, freewheeling delivery which incorporates balladry, chorus vocals, rapping, and tossed-off spoken-word passages. Just about every track has odd sampled bits from what sound like pirate radio-station broadcasts (a possible link to the title). There are so many great ideas on this record that it's difficult to digest in one listen, but multiple plays reveal the great depth of Manu Chao's artistry. - John Bush

1. Clandestino (Chao) - 2:27
2. Desaparecido (Chao) - 3:47
3. Bongo Bong (Chao) - 2:39
4. Je Ne T Aime Plus (Chao/Khelifa- Pascal) - 2:01
5. Mentira... (Chao) - 4:38
6. Lagrimas de Oro (Chao) - 2:57
7. Mama Call (Chao) - 2:20
8. Luna y Sol (Chao) - 3:08
9. Por el Suelo (Chao) - 2:21
10. Welcome to Tijuana (Chao/Meslouhi) - 4:05
11. Dia Lina... Dia Pena (Chao) - 1:30
12. Malegria (Chao) - 2:55
13. La Vie a (Chao) - 3:01
14. Minha Galera (Chao) - 2:21
15. La Despedida (Chao) - 3:08
16. El Viento (Chao) - 2:31


Greg Calbi - Mastering
Manu Chao - Drums, Producer, Artwork
Cedric Champalou - Mixing Assistant, Assistant
Renaud Letang - Producer
Anouk - Vocals
Angelo Mancini - Trumpet
Youri Lenquette - Photography
Awa Touty Wade - Vocals
Jef Cahours - Trombone
Laurent Lupidi - Pre-Production

1998 CD Virgin 10036
1998 CD Ark 21 10036C
2000 CD Ark 21 810036
2001 CD EMI 845783




Manu Chao
AKA born: Oscar Tramor
Born Jun 26, 1961 in Paris, France

by Chris Nickson

Manu Chao helped begin the Latin Alternative movement, way back in the '80s - although it had no name then - and in his later work he cuts a cross-cultural swathe across styles and geographic boundaries. Chao, whose real name is Oscar Tramor, was born on June 26, 1961 in Paris, to Spanish parents - his father Ramon Chao a respected writer, comes from Galicia, his mother Bilbao. Growing up bilingual, he was also influenced by the punk scene across the English Channel that happened while he was still in his teens. As a teen he played in bands, including a rockabilly outfit called Les Hot Pants, which won local critical praise but never went anywhere before breaking up. After that, Chao and his cousin began Mano Negra, named for an anarchist organization which operated in Spain. They recorded their first single, "Mala Vida," for a small label, but its French success led them to a contract with Virgin - something many early fans decried as selling out. Multilingual and decidedly multicultural, but with an edge heavily influenced by the punk rock of the Clash, they seemed comfortably at home anywhere, be it North Africa or North America, in their music. Operating as a collective, without a manager, wasn't the best way to guarantee international success, and their attempts to break the U.S. at the start of the '90s didn't work - America simply wasn't ready for their musical ratatouille. However, Europe loved them, as did South America. In 1992 they began a seemingly odd tour of Latin America, traveling by boat with actors and a circus, playing in port cities on both the Atlantic and Pacific sides, aided and abetted by various political guerilla groups, which sometimes didn't sit well with governments. In 1995, Chao moved the band to Spain, where he also formed another outfit, Radio Bemba Sound System, employing both musicians from Mano Negra and outside, which, according to rumors, caused rifts within the ranks, leading to the split of Mano Negra. Chao then returned to South and Central America, spending the next few years drifting around with his guitar and a four-track, recording here and there. The resultant collection of songs was released in 1998 (1999 in the U.S.) under the title Clandestino, and included a reworking of the Mano Negra track "King of Bongo," which was picked up for use on the soundtrack to Madonna's The Next Big Thing. The album itself took off very slowly, but after a year was going stronger than ever, a sleeper that found its niche in the burgeoning Latin Alternative scene (even though its lyrics freely mixed English and French along with the Spanish). In 2000 Chao played a rare pair of shows in Los Angeles, and in June 2001 released Proxima Estacion: Esperanza, which showed that his musical self had been spending the last couple of years soaking up the sounds of the Caribbean. This was further explored on The Live Album, a recording done in 2001 that was taken from the tour following Proxima Estacion: Esperanza.



from Barnes&Noble
1998 Clandestino Virgin
2000 Clandestino [France Bonus Tracks] EMI
2001 Proxima Estacion: Esperanza Virgin
2002 The Live Album Virgin
2002 Radio Bemba Sound System Virgin